Broken hearted girl with the broken down smile,
Leave your soul on the floor.
Let it bleed out.
Your life is awkward silences and embarrassments,
Hidden glances from behind a fringed frame.
Self doubt...loathing.
Happiness is an elusive mistress,
She loves seeing you drown.
Trying to catch up.
Hide behind a veil of cynicism and pessimism,
Can't let them see the real you, not today.
They won't like you anymore.
Not that they ever liked you anyway.














Comments
--
[it's so random, there HAS to be a purpose]
- schmeng o(';'
"Your life is awkward silences and embarrassments" strikes me as the most awkward line. The use of "is" and then a plural doesn't read right for me. I don't really have any suggestion of how to fix it, but it does sound weird. Maybe "is full of"? The entire stanza is probably the worst of the five.
As schmeng said, the metaphor of happiness as an elusive mistress is a good one. In a way I want that to be explored more than you do in the poem, but I understand that each stanza has to be sort of a separate idea that shifts the poem gradually through the spectrum of emotions you're portraying.
The last line is great. It ties the entire poem together, but it manages to avoid being cliché or needlessly dramatic.
--
If you wish to make an apple pie from scratch, you must first create the universe. -- Carl Sagan
~superstitious13 and =shutterbug13 lured me here.
Maybe Dats Your Pwoblem Too
I don't like feeling constrained by technicalities. That's why I never did well when it came to creative writing. The line you don't like? I'm sorry you don't like it, but I'm not changing it. It's not awkward. I'm saying that the person's life *IS* awkward silences. It's not full of them, it's not made up of them, it *IS* them.
I do appreciate your criticism, but when you criticise the technical side of it...it doesn't mean anything because unless its a glaring grammatical or spelling error I'll just leave it. Things are written the way they are because that's how I want to write them. Criticise the content, or the imagery, or something like that
On top of being too technical when it comes to analysis, I just suck at conveying my thoughts in general.
Mmm . . . and there I prove the point again that I think too much.
The line genuinely didn't feel right to me. But I tried looking at it from a mechanical perspective when seeking out alternatives.
Can't get people to stop overanalysing poetry? Stop cooking with cheese!
--
If you wish to make an apple pie from scratch, you must first create the universe. -- Carl Sagan
~superstitious13 and =shutterbug13 lured me here.
Maybe Dats Your Pwoblem Too
And I can't stop cooking with cheese, that's blasphemous! I'll just bait the cooking with poison.
I agree about the English class thing though. I sadly await the day when I arrive in something like first year university English and have to brainless analyse mechanics like that. As I have proved, I am capable of doing it--I don't derive joy from it though. The big non-secret, of course, is that they do it this way because most people would have no idea how to interpret things. It's easier to poke at commas and segregate semicolons than it is to (supreme being forbid!) think about the significance of a piece of writing. So rather than going through the trouble of teaching us how to think for themselves, they just take our money and spoonfeed us in return.
--
If you wish to make an apple pie from scratch, you must first create the universe. -- Carl Sagan
~superstitious13 and =shutterbug13 lured me here.
Maybe Dats Your Pwoblem Too
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